It may be as large a deviation as having inserted a whole new subplot or scene. Think the scene in HP and The Half-Blood Prince where the Death Eaters come en masse and create havoc at the Burrow, the Weaselys' home or the change in the reason why the Death Eaters realise who the real Harry is in the opening sequence of Deathly Hallows 1. (Yes, that is a large deviation in my eyes- I can be a purist that way!)
It can be a small deviation like having a trim-slim protagonist in the movie version of Louis Sachar's Holes versus the plump, podgy one in the book - a wonderfully made movie - one movie which certainly improved on the book - a difficult feat indeed!
The point is, that it a reader's/ viewer's understanding and memory of the story depends on the version they have imbibed, and thus starts the metamorphosis of the original story - happens with the writer, too, doesn't it, with each subsequent draft?
It is these versions that we are celebrating - Tulika Books had recently held a Celebrating Our Myths blogathon, in which I was declared one of the winners. My prize - this book.
Folktales and mythology. There are as many versions as the cultures that tell a particular story. Every storyteller worth their salt adds embellishments to it- some of which get incorporated in further generations. A sort of branching out in oral tradition. So the same story at the root may spawn many culturally different variations.
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| pic courtesy matsyacrafts |
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| pic courtesy tulikabooks |
Written by Nina Sabnani
Illustrated by Satyanarayan Suthaar
Published by Tulika books
Ages 5+
Pappuram and Kojaram are both Kaavadiya Bhaats who go from place to place telling stories with the help of their colourful kaavads. Both tell the story of why Ganesha is worshipped before any other gods or goddesses. Both the stories take completely different paths. Both stories begin with Shiva and Parvati, Ganesha's parents. Where one version speaks their two sons, the other has a disgruntled Rama being prevented from reaching his own wedding.
What happens next? How do such completely different trajectories reach the same conclusion? Read it in our book, It's All The Same- for, at the end, it all is.
The illustrations by Satyanarayan Suthaar, a kaavadiya himself, are in rich detail, full colour, in the tradition of the kaavads, as is obvious from the two pictures here. Check out this video of the making of this book - watch the two kaavadiyas in action.


4 comments:
oh congrats on the win :)
I had read about this book, when I was trying to buy something online from Tulika..should get it next year for R :) thanks for the review
I'm so curious to know how exactly kaavad works :):):) ve been reading about the concept for quiet sometime now :):)
should be interesting...would love to look up this book and wishes for more such innovations and collections
sathya vijayagopalan
@RM: Thanks.
@Padmini: I've linked to an article and a video in my post- both of which are very informative on the working of the kaavad. It is really amazing. Do check it out.
@sathyavijayagopalan: Do look it up. And thanks for your comment.
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