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Showing posts with label Candlewick press. Show all posts
Showing posts with label Candlewick press. Show all posts

25 April, 2012

All the World is a Stage...and we are but players

During my stay in Britain, we undertook many literary pilgrimages. One of them, of course, was to Stratford-upon-Avon, Shakespeare's birthplace. There were many exhibits about the lifestyle of the people during the Tudor period, and about Shakespeare's life and work. It was a peek into much that was extraordinary about the Bard, as well as much that was ordinary. It was a memorable visit, and I can still see the Avon river after so many years.

I have earlier reviewed Shakespeares Storybook : Folk-tales that inspired the Bard during CROCUS 2010 at Saffrontree. A book about the indigenous folk-tales that he took inspiration from, and re-shaped them to write his own plays, in the context of the society he lived in.

Here are some more books.

Pic courtesy flipkart.com
William Shakespeare
The Bard of Avon (Great People series)
Written by Gerry Bailey and Karen Foster
Illustrated by Leighton Noyes and Karen Radford
Published by Hachette India Children's books
Ages 8+

We have here a whole group of interesting characters who have set up a weekend village market. We have Mr Rummage who has a curio shop, full of knick-knacks of all kinds. 7-yr old Digby and his 9-yr old sister Hester frequent the market every Saturday and learn a lot about the things they find there from the knowledgeable Mr Rummage and the others.

This is whole series of books, with biographies of greats like Mozart, Mahatma Gandhi, Martin Luther King, etc. We are looking here at the Bard's.

In our current book, they come across a goose-feather quill, that Mr Rummage claims to have been the property of William Shakespeare. This starts a discussion about the Bard. They speak about his childhood, where he had to keep very long and taxing school hours. About his youth, when he married early, at 18, to Anne Hathaway, who at the time was 26 yrs old. About the 'lost years', a long period during which his life is not accounted for. About his joining court as the Queen's jester, and then going on to better things on stage. To the good, the bad and the ugly of his life as a player. About the Globe theatre.

There are a lot of side-notes and pictures- actual paintings from Shakespeare's time that make for informative reading. A good way to introduce the Bard's life to young children. A thumbs-up given by A.

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Pic courtesy flipkart.com
Shakespeare: His Work & His World
Written by Michael Rosen
Illustrated by Robert Ingpen
Published by Candlewick Press
Ages 12+

The times Shakespeare lived in, were exciting times for Europe. The world was just beginning to emerge from what have been called 'the Dark Ages.' People travelled more, discovered and learnt about more of the world. Renaissance had spread to Elizabethan England from mainland Europe, but it was a yet a dangerous world. People still stood more of a chance of dying a violent death or of illness, but there were now advances in science, literature, arts and craft that reached a new high.

Theatre, too was coming out of its earlier adherence to performances based on biblical stories, and for the first time, social themes were being tackled, the Bard spearheading this movement. There had been, of course storytellers that travelled from place to place, but never had there been plays on such a large scale. The patrons were, of course royalty, so they featured in many of the plays.

Michael Rosen has given us a book that brings alive all this excitement, associating the phases of his life to parts from his work. In the process, he has elevated Shakespeare from a school-child's perception of  it as "Oh, no, so boring!" to something they will be drawn towards. He has taken some of the more well-known plays and deconstructed them to show the relevance to contemporary life- something that these students can identify with, without detracting from their original beauty. And therein lies the success of this book.

Full page, and sometimes double spread illustrations in sepia tones by the Hans Christian Anderson award winner Robert Ingpen add an essential visual element to Rosen's work.

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Pic courtesy flipkart.com
Shakespeare
Written by Bill Bryson
Published by HarperCollinsPublishers
Ages 15+

Now here is a book that discusses a lot more about the Bard's life and work, in Bryson's inimitable, engaging style. In the process, Bryson tries to dig into the mysteries of the 'Lost Years' of Shakespeare's
life, seven years from his marriage to the time when he surfaced as a player at the royal court, and also the controversies over the Bard's true authorship of his plays.

As with all Bryson's books, this is an excellently researched volume, written converstionally- it makes for great reading aloud, and is ideal for young adult and adult Shakespeare aficionados.

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No discussion on Shakespeare is complete without speaking of the Globe Theatre- the site of many of the Bard's plays, at which he himself took part. When I was a high school student, our English teacher had somehow sourced a kit which had cut-outs we could press out, and construct the Globe theatre in great detail, which our class then proudly exhibited during open house. It is one of my cherished memories of school life, and has played a great part in my interest in the Bard's work.

Pic courtesy flipkart.com
A Shakespearan Theatre
Written by Jacqueline Morley
Illustrated by John James
Published by Book House
Ages 8+

Illustrations play a large part in this book, which gives us details about the life in Elizabethan England, the everyday life and the life of royalty. The cover page shown here gives an idea of the details that follow.

The advent of theatre and plays, the life of those involved. The building of the Globe theatre in 1598 in Shakespeare's heyday, its interiors and the way it was used during the performances. The burning down of the theatre in an accidental fire in 1613, and the re-building of it in 1614, just two years before Shakespeare's death in 1616.

Crossposted at Saffrontree..

23 December, 2011

A Kick in the Head: An everyday guide to poetic forms

Pic courtesy flipkart.com
A Kick in the Head:
An everyday guide to poetic forms
Selected by Paul B Janeczko
Illustrated by Chris Raschka
Published by Candlewick Press
Ages: 8+

Do you know what a couplet is? A quatrain? A haiku? A sonnet? A limerick? A ballad? An elegy? An ode? You do? Great!

Now, do you know what a clerihew is? A roundel? A triolet? A villanelle? A senryu? An aubade? An acrostic? A pantoum? A cinquain? No? Do all those words sound as if they were a set of carpenter's / goldsmith's tools? Or some kind of flowers or herbs? (That is what A thought they were.) Well, they're not. They're forms of poetry, which follow certain rules.

Let's take a senryu, for example. Our book explains a senryu thus: "I like to call senryu a 'haiku with an attitude.' A senryu follows the same pattern as a haiku -- three lines of 5-7-5 syllables -- but it is about human nature rather than the natural world around us."

Intrigued? Let's take the senryu in our book to illustrate the point.

First day, new school year,
backpack harbours a fossil...
last June's cheese sandwich.

Or let's take an acrostic- one of the simplest way for a child to write poetry. "Descriptive poems- when read downward, the first letter of each line must form a word or phrase, usually the subject of the poem." It is a form that any enterprising child can experiment with, using any word that they may. Even their own or their friends' names. And it can be so much fun!

Santa Claus will come out tonight
And deliver presents
Near the
Time of midnight you can hear him
And what you will hear are the words ho ho ho

OR

Father
And
Mother
I
Love
You!

All these poetic forms have certain rules that have to be followed, for them to fit in the particular category. Doesn't that make it more difficult in a way? Why not write in free verse?

Free verse does have its merits, especially in modern poetry, which often is an unfettered expression of thought and feelings, a way of writing prose with a cadence, if you may.

Having specific rules for poetry does make it that much more fun to write, though, as well as making it fun to enjoy and appreciate it. As Paul Janeczko explains in his foreword, "Knowing the rules makes poetry -- like sports -- more fun, for players and spectators alike."

Beautifully illustrated in quirky watercolours by Chris Raschka, the book can be read as a picture book for younger children too, as the lilt and rhythm will appeal to the little ones too. Older children can appreciate the poems better, the form, the themes and the beauty of them. High school kids? The details of each poetry form will make much sense to the student with a literary bent of mind. Adults too can take a lot away from the book. Great for learning a particular form at a time, researching it, dabbling in it. Or just to keep it on the shelf to dip into a bit of poetic joy from time to time!

Acrostics, opposites, riddles, limericks, tanka, haiku...A and I have tried our hand a little bit at each. Here's a site which makes it easy for children. Why don't you try it?

A multiple award winning book, this is a poetry anthology with a difference. A must read for anyone appreciative of fine poetry.

I will be entering this book for the Reading the World Challenge over at Papertigers for A, under US of A, poetry.

28 February, 2011

Book Review: DARBY


Pic courtesy flipkart
DARBY
Written by Jonathon Scott Fuqua
Published by Candlewick Press
Ages 9-12 yrs

Darby Carmichael is a white, 9 yr old girl living in Bennettsville, Marlboro county, South Carolina, in the racially intolerant early 1920s. She has two "best friends", Beth at the all-white school, and Evette Robinson, the girl who stays on the farm next door, the daughter of a black sharecropper. Darby looks forward to coming home from school everyday, so that she can just run off to play with Evette. Given a choice, of course, Darby would choose Evette over all her other friends, but even at 9, she knows that it cannot be done.

Darby's dream is to be a newpaper journalist, and she attempts to write for the local daily, helped to a large extent by Evette with whom she discusses her ideas, and who edits her work. This is accepted by Mr Salter, the editor of the Bennettsville Times, who is a friend of her father's. Of course, he knows all about Evette's role in this, but does not say anything, as he, along with Darby's father, is anti racial sentiment.

Darby gets better and better in her writing (with Evette's help of course), and soon has an article appearing in the daily every week, her family and friends making much of it! So when she witnesses the beating up of Evette's brother for being at the wrong place at the wrong time, by Turpin Dunn, a white man who she knows her father despises for his ill-manners and bad-tempered behaviour, and who her father knows is a member of the dreaded Klu Klux Klan, she proceeds to write about it. Fully knowing the furore this would cause, her father permits the daily to publish it.

What happens next? How is the following drama played out? Does right prevail in the end?

A wonderful book about the battle of right against wrong, about an innate sense of equality present in a child's mind, in a first person version of a 9 yr old on the "priviledged" side of racial segregation. A coming of age book, a journey from wide-eyed innocence to the slow dawning of a knowledge of reality, and the courage to stand up for what one thinks is right.

The book reminded me strongly of a well loved favourite-To Kill a Mockingbird by Harper Lee, reviewed here- and could be said to be along similar lines.

A good book to follow up this wonderful book reviewed by Meera on ST. A book in honour of Black History Month.

Crossposted at Saffrontree and at Bookreviews.

24 January, 2011

Secret Codes for an escape!

Pic courtesy Flipkart
THE PATCHWORK PATH : a quilt map to freedom
Written by Bettye Stroud
Illustrated by Erin Susan Bennett
Published by Candlewick Press
Ages 5+

Hannah is a 10 yr old slave living on a plantation with her parents and younger sister Mary. When she turns 10, her mother teaches her to make a special quilt using special patterns, with special meanings. Each pattern had a meaning, and stiched together, they would make a pattern that would help them to run away to freedom.

Soon after, the master sells Mary to someone else, and her mother dies of a broken heart. Hannah and her father decide to escape, afraid that they, too would get separated some day.

How do they do it? How does the Quilt Code work? Do they manage to get to freedom? How do they recognise the friends and the enemies along the way? Quite a few of the white men were against slavery, even in the south. There was a whole network of these abolitionists, along with certain religious groups like the Quakers who were anti-slavery, and freed slaves (a well-known example was Harriet Tubman) along the escape route who would help the escapees along what was termed 'the underground railroad, as the slaves travelled in hiding.

According to the afterword, the story about the use of quilt codes was given to was told to historian Jaqueline Tobin by an African American quilter Ozella Williams and together with another scholar Dr. Raymond Dobard, they published the first account of this amazing system that had originated in Africa, and was extensively used by slaves to run away to the US Canada border and freedom.

This was in 1994. Following this, there was a lot of debate on its authenticity, as there was no written or material evidence of this story, and was believed to have come from African American folklore. It has been theorised that this could be because slaves in those days did not know how to read or write, as it was illegal, and any quilts from that time might not have survived the wear and tear of so many years.

Knowledge of the controversies around the supposed history on which our book is based, however, did not deter A and me from enjoying it. It was the perfect picture book for the 9 yr old who is no longer into picture books big time, as it was a dip into the rich African American history, which is proving to be fascinating and horrifying by turns. And an escape story is always welcome, especially one that makes use of secret codes. Full page illustrations in earthy colours by Erin Susanne Bennett compliment the text and bring it to life.

February will be Black History month, and the history enthusiast at home hopes to find many more such books.

Those interested in the craft can go here to find printable templates of the patterns that were supposed to be in the Quilt Code.

Crossposted at Saffrontree.